At his LFF Screen Talk, the acclaimed actor reflected on fame, craft and queer representation as he discussed Elsinore, his deeply personal new film about the late Hamlet star Ian Charleson.

Talking at her LFF Screen Talk, Coppola spoke about the importance of point of view, a key purchase in a London record shop, and why she thought no one would like Lost in Translation.

Andrew Garfield leads the 1381 Peasants’ Revolt in a historical drama from Paul Greengrass that keeps the action moving, but loses its character development in the mud.

For a special 1995 Sight and Sound supplement on film censorship, the writer and director of The Devils detailed his ambitions for the film – including his rationales for its most scandalising scenes ...

Theo Rollason’s remarkable found-footage documentary examines the wider political context that shaped Derek Jarman’s creation of his 1991 drama Edward II.

Marking the UK debut of the Displacement Film Fund’s first five shorts, Cate Blanchett and filmmaker Shahrbanoo Sadat talk creative risk, resilient communities and the importance of bringing displaced ...

Among the last icons of the golden age of Hollywood, Saint was never quite a movie star in the conventional sense. The Oscar-winning actress, who has died aged 102, leaves behind a career defined less ...

For what is rumoured to be his final film, Mike Leigh meanders through the milieu of a British social worker, whose friends and family members do their best to care for one another in the face of ...

In her award-winning first feature At Night, women drift through the Paris night sharing stories of creativity, motherhood, desire and difference. Ahead of its premiere at LFF, Gibson spoke to us ...

Alejandro González Iñárritu’s big, unsubtle film about an impending climate catastrophe caused by reckless oil drilling is short on laughs, but has a powerful weapon in Tom Cruise’s barnstorming ...

Released during the band’s heyday but swiftly forgotten, Take It Or Leave It recreates the rise to fame of one of Britain's best loved pop bands. As the film is re-released in 4K for cinema and DVD, ...

The then British Board of Film Censors was not the only obstacle to Ken Russell's conception of The Devils in the 1970s – and nor was it monolithic in its judgement. Linda Ruth Williams reveals the ...